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While novellas have found a new home online in webzines, few of those outlets actively seek them out. The new imprint will provide a marketplace for longer works and serials without competing with the interests of its parent company. We think people are going to like that. Gallo says the fact that Tor. Although the Tor. The imprint will release works in both e-book and print editions. The latter will include traditional print and print-on-demand, with the possibility of limited and lettered editions as well, depending on the work and on feedback from readers at the Tor. Click here to return to the main feature.

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More from pw. The Most Anticipated Books of Fall PW Picks: Books of the Week. Children's Announcements. Stay ahead with Tip Sheet! Free newsletter: the hottest new books, features and more. Narrowing down both the long and shortlist was very difficult. The sheer number of truly excellent stories meant that we spent a great deal of time negotiating before we achieved our shortlist. There were more than a few stories that had no horror element to them at all.

Some stories suffered from being too short to effectively convey the horror. Overall, we were amazed at all the different interpretations of horror that Australian authors are producing, and are excited to see what future years bring. Judging criteria: The panel looked for strong writing with effective use of language, delivering stories that pleased and surprised us. We particularly wanted stories that ended with impact, either through resolving the central conflict or by resonating with the theme. We wanted our hearts and minds to be engaged by characters whom we cared about, set in vivid, interesting worlds with a strong, integral fantasy element.

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Above all, we were looking for stories that left us with a lasting impression. Overview of nominations: The short-form fantasy nominations were diverse, spanning the wide range of fantasy sub-genres from traditional mediaeval adventure and fairy-tales through to gritty urban thrillers and alternate histories. Most were published through electronic magazines and self or small-press publication.

The best stories were a pleasure to read, creating new worlds or taking a fresh approach to familiar settings. Only a very few broke out of the mould of European-centric settings to give us stories with a more Australian or Asian feel. Many stories did not end effectively or even had no narrative arc at all. Overall, for a genre that embodies imagination, the judges found quite a bit of repetition of standard fantasy tropes and story arcs and we would have liked to see more risk-taking and imagination.

Overview of nominations: We had a wide range of submissions, with several authors very prolific. There was a very tight grouping of quite diverse high quality stories that made selecting the final shortlist easy, but selecting the winner more difficult. The final shortlist was very diverse and interesting, with the winner selected by a majority decision on a very narrow margin; other excellent stories on the short list may well have been winners in another field of entries.

As a result, the judges valued stories that fleshed out their premise in full, inviting the reader in and welcoming them to a well-developed world.

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Originality was considered the minimum for a strong story, but on top of that, panellists wanted scene setting, a strong sense of place, confident and polished writing, interesting characters, nuance and, of course, genre elements. Our shortlist represents writers who take the reader on a journey with depth and poignancy. The nominations this year were a mix of self-published, small press and magazine entries — both genre and literary.

Judging criteria: As a panel we were looking for stories that made full use of the novella format. We wanted to see every word being made to count in building towards something meaningful, taking advantage of the novella length to explore characters and develop plot, without trying to pack too much into the story. We also considered the appeal of works to readers and sought to reward works that we would wholeheartedly recommend that readers seek out as the best novella-length science fiction reads of Overview of nominations: The nominations this year were a mixture of standalone novellas and novellas published as part of anthologies of short fiction.

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The vast majority of entries were either published by Australian small press publishers or self-published. All entries this year were submitted electronically, though some are also available to purchase by readers as print publications. In general, as a panel we found that the novellas that had gone through an editorial process and been published as part of an anthology or through a small press publisher were of a higher quality this year, on average, compared to the self-published works. There were a wide variety of entries in with very diverse themes and approaches to horror.

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Especially in the Novella category, significant discussion was needed to narrow down a shortlist, a testament to the quality of the entries. We were impressed with the quality of many entries, and there are others in which we saw immense potential and would encourage the writers — further editing and refinement would make many of them much stronger. The final shortlists represent a high quality of work, and shows the strength of Horror writing in Australia today.

Judging criteria: The Young Adult Novel section was judged based on originality, plotting, characterisation and writing style. Novels were also required to be both suitable and engaging to a teenage audience. Overview of nominations: There was a wide range of novels in this category spanning across all three genres and plenty of subgenres. It was great to see books from period fantasy to dystopian future all written for a teenage audience.

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The majority of books submitted fell within the appropriate restrictions although there were a few books which we considered to be written for an adult audience. Our shortlist represented novels which brought something new to Young Adult whilst still remaining engaging to its readers. These novels were polished and well-crafted pieces of literature which explored the experiences of young adults in an interesting and thoughtful manner.

The judges struggled to trim the short list down to six works, and agonised over the selection of a winner. This short list reflects the diversity and good health of Fantasy publishing within Australia, and will provide readers many hours of pleasure. Cathie Tasker Convenor. The Best Science Fiction novel panel judged the entries against several criteria.

Of utmost importance was the literary merit of the work. Originality, especially for SF themes, was also valued, along with strong characterisation and interesting world building. Another important factor was the extent to which science fiction themes were integral to the novel and the story being told. The themes represented are varied, with several surreal works, space operas and genetic manipulation stories. Social issues are strong in fiction this year.

The quality of the editing made a big difference and those on the shortlist show tight and accurate editing. Publishers and self-publishers should understand that typographical and spelling errors as well as superfluous and irrelevant prose throw the reader out of the story and work against some otherwise good ideas.

A number of excellent novels failed to reach the shortlist as they either were not genre novels at all, or had science fiction references that were incidental at best to the story being told.

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In others, genre elements were cliched or weak. It was positive to see many sub-genres represented, including surreal works, space operas, and hard science fiction. Many novels were strongly concerned with contemporary issues. Books on the shortlist generally have strong plots, sharp characterisation, and a strong sense of place. There is a significant emphasis on the search for identity and what it means to be human. Due to catering requirements, all tickets must be pre-purchased — there will be no sales at the door and no admittance without a ticket.

The Aurealis Awards ceremony will return to Melbourne for the first time in over 15 years, with a cosmic event to be held in Melbourne at the Jasper Hotel.

There will be a pre-Awards party to begin the event, with drinks and canapes provided, and a cash bar available throughout the evening. To book your ticket, please use the link below. Ticket sales close at Aurealis Awards Australia's premier speculative fiction awards.

Skip to content. Please complete the form below by 31 May, The judging positions are open to Australian residents only. Posted in News Tagged judges Leave a comment. Number of entries: Judging criteria: The panel looked for strong writing with effective use of language, delivering stories that pleased and surprised us.